It is not good. It is not terrible. It is bloodless, procedural, and, in Christopher Ashley's staging, constantly, exhaustingly turned up to 11. It lacks nearly any wit, poetry, or sense of fun-except ...
Tony Award-winning director Christopher Ashley (Come From Away) and the wrtiers behind the Tony Award-winning musical Memphis (Joe DiPietro and David Bryan) bring us face-to-face with one of the 20th ...
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