The event was initiated and is perennially overseen by Jerusalem Baroque Orchestra (JBO) founder, harpsichord player, and conductor Prof. David Shemer, who also serves as musical director. In the ...
The Shriver Hall Concert Series has announced its 61st season for 2026-27, featuring a robust lineup including two U.S. premieres co-commissioned by SHCS. The season will also mark the Baltimore debut ...
Music Director Emeritus for Life Riccardo Muti Returns to Chicago for Three Weeks of Programs with the Chicago Symphony Orchestra including Rossini's Stabat mater with the Chicago Symphony Chorus Jean ...
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The 12 instruments that shaped genres - from the saxophone to the synth
Every once in a while, a single instrument arrives and rewrites the rules. Not just for music, but for culture itself. Think about it. A strip of brass and a few keys gave birth to jazz. A solid block ...
Electronic music, rock, chanson française, hip-hop... From Paris to Marseille, via Saint-Malo or Caen, the French festival scene offers an abundance of options sure to satisfy every musical taste.
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These are the highest-valued vinyl records of our century
Retrieving music is literally at the reach of our fingers these days. Whether you’re searching on Spotify, YouTube, or Apple ...
It turns out he’s got a specific warm-up routine to keep his voice in tip-top shape — and other famous vocalists, including Axl Rose, have since adopted the same regimen. Bach broke down his ...
Bach Society and Tanglewood Learning Institute celebrate J.S. Bach’s 341st birthday 3 p.m. March 21 in Lenox with live music, ...
Bach in the City will present the Midwest premiere of the reconstructed ST. MARK PASSION by J.S. Bach, featuring a unique performance led by Music Director Richard Webster at St. Vincent de Paul ...
Lise Davidsen’s recital at the Met Opera, Gustavo Dudamel leading “Romeo and Juliet,” and a violinist’s personal program are among our selections.
Try “Parade”, with its “cruel procession of talentless poseurs” and “crafty fakers of places and persons” delivered with a near-improvisatory swagger, making the reprise of the cycle’s opening fanfare ...
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