Review: Director Leigh Whannell's new 'Wolf Man' lacks bite
“Wolf Man” then jumps ahead 30 years, to adult Blake (Christopher Abbott) out in a busy San Francisco enjoying daddy-daughter time with young Ginger (Matilda Firth). Like his father, he is very protective of his child, scolding her for not getting down from a construction structure she walks atop the moment he tells her to do so.
The writer and director of “The Invisible Man,” 21st-century style, is back with an interpretation of another Universal ...
Leigh Whannell follows ‘The Invisible Man’ with another update on a classic from the Universal archives, unfolding in an ...
Leigh Whannell returns to the Universal vein with Wolf Man, shooting this werewolf tale full of modern anxiety.
If you’re going to pay money to see a movie called “Wolf Man,” you already know what you want: full moon, lots of mist, and a ...
Christopher Abbott ("Poor Things") and Julia Garner ("Ozark") play a couple who go back to the husband's family home in ...
While other people were making sourdough and learning how to play the bongo drums during the Covid lockdowns, Aussie Leigh ...
Oregon, it can safely be said, features some of North America’s most scenic landscapes. In the tense, hard-edged horror film ...
Leigh Whannell issues an update about the status of Upgrade 2, and reveals that he still daydreams about the sci-fi sequel.
Leigh Whannell’s Wolf Man boasts some impressive filmmaking and fresh spins on werewolf lore, but its story lacks bite.
Leigh Whannell did a brilliant job of modernizing "The Invisible Man," but werewolves prove much harder to tame.
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