Filmmaker is heading to the 40th edition of SXSW, where myself and several talented contributors will be on the ground filing ...

In the opening beats of The Bride!, the second feature written and directed by Maggie Gyllenhaal, the ghost of Mary Shelley (Jessie Buckley) mutters to herself from some dark corner of the ...

Toronto-based writer Dylan Adamson delves into the mysterious backstory of The Napa Boys, the latest from comedians Nick ...

Natalia Keogan highlights five films (and two amazing musical acts) to catch at the 2026 True/False Film Fest.

In the opening beats of The Bride!, the second feature written and directed by Maggie Gyllenhaal, the ghost of Mary Shelley (Jessie Buckley) mutters to herself from some dark corner of the ...

I found a way to look into the universe,” says non-fiction Australian filmmaker Josef Gatti in his feature debut Phenomena. Paradoxically, it turns out that the wonders of the universe ...

In his final Considerations column before Oscar voting closes, Tyler Coates celebrates the unpredictability of this year’s potential winners.

Lady, the titular lead of Olive Nwosu’s neo-noir feature debut about a taxi driver’s gradual solidarity with a group of Lagosian sex workers, possesses a piercing gaze. She’s not scanning you as much ...

Amir Naderi is on the move. I connected with the Iranian filmmaker over WhatsApp on a chilly February morning, or at least morning where I am. He’s calling me from Rome, which is the second stop on ...

“I have never seen the problem with fetishizing objects and fetishizing people as though they were objects,” director Amanda Kramer tells me in a conversation ahead of the release of her latest film, ...

In a big studio-backed awards season, it’s rare to see much overlap between the Film Independent Spirit Awards and the Oscars. A west coast cousin of sorts to the Gotham Awards, the Indie Spirits ...