Celebrating 25 years of the Royal Drawing School! ✍️🎉 ⁠ ⁠ Founded in 2000 by The King and artist Catherine Goodman, the School champions drawing as a vital tool for creativity – nurturing emerging and established artists across disciplines, from painting and design to film, architecture, and performance.⁠ ⁠ To mark this milestone, the Royal Drawing School are proud to present The Power of Drawing – a free summer exhibition celebrating the central role of drawing in contemporary creative practic

Tara Versey is a Tutor at Royal Drawing School. Here she talks about how we can all empathise with the figure when we draw in order to create something exciting, and the techniques she uses to create a sense of space. Public Courses taught this Summer by Tara: bit.ly/3wuHjsX | Royal Drawing School

The King and Queen Camilla hosted leading artists and creatives at St James’s Palace to celebrate the Royal Drawing School’s 25th anniversary. As Founding Patron, the King toured a special exhibition, The Power of Drawing, featuring work by 50 prominent artists and alumni from across the school’s history. Report by Matthew Covell. | The Royal Family Channel

Paul Majek graduated from the University of Oxford with a First Class Honours in Fine Art in 2023 after which he joined the Royal Drawing School. Paul Majek’s work embodies a fluidity around his figures, delving into landscapes of memory, generational dialogue and spirituality. ⁠ ⁠ In this video Paul shares how The Drawing Year influenced his practice. ⁠ ⁠ _____⁠ ⁠ 👉The Drawing Year is a full scholarship postgraduate-level course offering up to thirty students the opportunity to focus on drawin

As we come to the end of the year, Fraser Scarfe @fraserscarfe, Head of Education and Delivery at the Royal Drawing School, shares a habit he truly cherishes: opening the first blank page of a new sketchbook or diary.⁠ ⁠ In this short video, Fraser shares a simple intention for the year ahead — making small drawings, daily. Not grand plans or perfect outcomes, but modest, regular acts of looking and marking. He demonstrates how working in a small format can make drawing feel approachable, flexib